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British Crime Cinema (British Popular Cinema)From Routledge
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This is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including:
* acclaimed recent crime films such as Shallow Grave, Shopping, and Face.
* early classics like They Made Me A Fugitive
* acknowledged classics such as Brighton Rock and The Long Good Friday
* 50s seminal works including The Lavender Hill Mob and The Ladykillers.
- Sales Rank: #5389516 in Books
- Published on: 1999-06-30
- Released on: 1999-06-30
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .60" w x 5.91" l, 1.10 pounds
- Binding: Paperback
- 264 pages
Review
'An all-encompassing study, there is much of interest to digest here.' - Film Review
'British Science Fiction Cinema British Crime Cinema The two books may be aimed more at students than buffs, but anyone who picks them up will find plenty of food for thought.' - Independent
About the Author
Steve Chibnall is Senior Lecturer in Media Studies at de Montfort University, Leicester. Robert Murphy is senior Research Fellow at de Montfort University.
Most helpful customer reviews
0 of 0 people found the following review helpful.
The Boys Would Like a Word
By Melanie Devine
This is a brilliant synthesis of all that is good in British Crime Cinema. The essays are clear and well-focussed, and the referencing is excellent. Particularly well-written and pertinent to the present popularity of such films as Lock Stock and Two Smoking Barrels is Claire Monk's essay on Crime and British cinema in the 1990s. The referencing to both earlier crime cinema and the wider genre of hip, cool trendy cinema directed at the 18-25 year old male with its additional sound track identity is worth reading for anyone concentrating on film studies. Both a good read and an excellent reference work.
0 of 0 people found the following review helpful.
The Boys Would Like a Word
By Melanie Devine
This is a brilliant synthesis of all that is good in British Crime Cinema. The essays are clear and well-focussed, and the referencing is excellent. Particularly well-written and pertinent to the present popularity of such films as Lock Stock and Two Smoking Barrels is Claire Monk's essay on Crime and British cinema in the 1990s. The referencing to both earlier crime cinema and the wider genre of hip, cool trendy cinema directed at the 18-25 year old male with its additional sound track identity is worth reading for anyone concentrating on film studies. Both a good read and an excellent reference work.
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